Page: 
Source: 
p. 6, b. 113-144
p. 1
p. 2
p. 3, b. 1-40
p. 4, b. 41-78
p. 5, b. 79-112
p. 6, b. 113-144
p. 7, b. 145-180
p. 8, b. 181-212
p. 9, b. 213-244
p. 10, b. 245-276
p. 11, b. 277-311
p. 12, b. 312-337
p. 13, b. 338-369
p. 14, b. 370-403
p. 15, b. 404-432
p. 16, b. 433-461
p. 17, b. 462-495
p. 18, b. 496-527
p. 19, b. 528-556
p. 20, b. 557-588
p. 21, b. 589-624
p. 22, b. 625-695
p. 23, b. 696-723
p. 24, b. 724-755
p. 25, b. 756-780
p. 26
A - Autograph
Main text
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
FESf - Schiffmacher copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
FESf - Schiffmacher copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
Importance
All
Important
Main
Prezentacja
Select 
copy link PDF A - Autograph

Original in: Bibliothèque Nationale de France, Paris


  b. 115-116

No markings in A (→FCGE1)

One-bar pedalling in FE (→EE) & GE2 (→GE3)

Two-bar pedalling, our alternative suggestion

In the main text we give the pedalling added by Chopin in the proofreading of FE (→EE). In accordance with the observations expressed in the note to b. 65-76 on combining the bars based on the same chord with one pedal, one can assume that it was a routine operation of the composer, just like in a few other places, and that he did not consider a longer hold of pedal, more natural in this context. However, since analog. b. 247-248 are also provided with a pedal change, where the pedalling of FC was written independently, we suggest the version with a two-bar pedal only as an acceptable alternative solution.
GE2 (→GE3) added the markings probably on the basis of analog. b. 247-248.  

Compare the passage in the sources»

category imprint: Differences between sources; Corrections & alterations

issues: Authentic corrections of FE

notation: Pedalling

Missing markers on sources: FE1, FED, FES, FESf, GE1, GE2, GE3, EE1, EE2, EE3, A, FC