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Issues : EE inaccuracies
b. 14-15
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composition: Op. 31, Scherzo in B♭ minor
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In accordance with the analysis of the category imprint: Differences between sources; Editorial revisions issues: Scope of dynamic hairpins , EE inaccuracies , Inaccuracies in FC |
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b. 18-20
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composition: Op. 31, Scherzo in B♭ minor
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It was only the first of the three undoubtedly long accents of A that was reproduced as long in FC. In GE the marks were unified as short accents. Short accents, contrary to FE, are also given in EE. category imprint: Differences between sources issues: Long accents , EE inaccuracies , Inaccuracies in FC |
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b. 38-39
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composition: Op. 31, Scherzo in B♭ minor
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In accordance with the analysis of the Chopinesque category imprint: Differences between sources; Editorial revisions issues: EE inaccuracies |
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b. 42-43
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composition: Op. 31, Scherzo in B♭ minor
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Both Fontana and the engraver of EE considered the longer marks of A (→FE) to be an inaccuracy and replaced them with common, short accents. category imprint: Differences between sources issues: Long accents , EE inaccuracies , Inaccuracies in FC |
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b. 57-58
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composition: Op. 31, Scherzo in B♭ minor
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The beginning of the slur in EE is placed inaccurately; therefore, it is uncertain whether the slur begins from the 1st or 2nd note of b. 58. We adopt the version compliant with the Stichvorlage (FE) and with the analogous passage a line above. In GE2 (→GE3) the slur begins already from the minim in b. 57, just like 8 bars before. category imprint: Graphic ambiguousness; Differences between sources issues: GE revisions , EE inaccuracies |