mUltimate Chopin

Op. 31, Scherzo in B♭ minor

Text Compare Notes Sources Description

Issues : Annotations in FESf

b. 267-268

composition: Op. 31, Scherzo in B♭ minor

f1 & f tied in A (→FC→GE) & FESf

f1 repeated, f tied in FE

f1 tied, f repeated in EE
..

In FE b. 267 closes the line of the text. There are no ties of the R.H. minims, f-f1, therein, whereas in b. 268 it is only the tie of f that was finished. These are patent mistakes. EE ignored that partial tie while adding a tie of f1, probably on the basis of comparison with an analogous place in b. 271-272, where FE has only the tie of f1. All necessary ties in the discussed bars were added in FESf.

category imprint: Differences between sources

issues: Annotations in teaching copies , EE revisions , Errors in FE , Annotations in FESf

b. 273-274

composition: Op. 31, Scherzo in B♭ minor

E & g tied in A, GE2 (→GE3) & FESf

E repeated in FC (→GE1)

g repeated in FE (→EE)
..

The omitted ties in FE (→EE) and FC (→GE1) must be mistakes. The tie of E was added in GE2 (→GE3), most probably on the basis of comparison with the analogous places. A tie next to g was added only just in FESf.

category imprint: Differences between sources

issues: Annotations in teaching copies , Errors in FE , GE revisions , Errors of FC , Annotations in FESf

b. 372-373

composition: Op. 31, Scherzo in B♭ minor

Tie to f1 in A (→FC), GE2 (→GE3) & FESf

No tie in FE (→EE)

Slur c1-e1 in GE1
..

The missing tie of f1 is a patent mistake, although in FE it was overlooked, while in GE1 – distorted, since it was interpreted as a slur combining the crotchets of the middle voice, c1 and e1. The correct version was introduced in subsequent GE; the tie was also added in FESf.

category imprint: Differences between sources

issues: Annotations in teaching copies , Errors in FE , Errors in GE , GE revisions , Annotations in FESf

b. 477

composition: Op. 31, Scherzo in B♭ minor

..

The  raising a3 to a3, overlooked in A (→FE), was added in FC (→GE) and EE. The mark was also added in FESf.

category imprint: Interpretations within context; Differences between sources

issues: Annotations in teaching copies , EE revisions , Accidentals in different octaves , Fontana's revisions , Inaccuracies in A , Errors repeated in FE , Annotations in FESf

b. 478-479

composition: Op. 31, Scherzo in B♭ minor

e3 in A (→FE,FC→GE1)

e3 with  in GE2 (→GE3) & FESf

e3 in EE1

e3 & e3 in EE2 (→EE3)
..

In the main text we add a cautionary  before the 2nd quaver in b. 478 (e3), since there are no doubts that the harmonic sequence on which the passages in b. 476-483 are based is to be the same as the one in b. 484-491 (including the semitone transposition). The absence of that  misled the engraver of EE who added a  here, changing the 2nd and 5th quavers from e3 to e3. That erroneous change was rectified in EE2 (→EE3), yet only partially, by adding a  restoring e3 on the 5th quaver. In GE2 (→GE3) a cautionary  was added not only in the discussed place, but also before e2 in the next bar. A natural before the 2nd quaver was also added in FESf.

category imprint: Differences between sources; Editorial revisions

issues: Annotations in teaching copies , EE revisions , GE revisions , Annotations in FESf