Pitch
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b. 1
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composition: Op. 31, Scherzo in B♭ minor
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In GE1 the last note in the L.H. is an erroneous c. The patent mistake was corrected in GE2 (→GE3). category imprint: Differences between sources issues: Errors in GE , GE revisions |
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b. 8
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composition: Op. 31, Scherzo in B♭ minor
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In GE1 the middle note of the 2nd chord in the R.H. is a d category imprint: Interpretations within context; Differences between sources issues: Errors in GE , GE revisions |
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b. 9-33
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composition: Op. 31, Scherzo in B♭ minor
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The entire second line of A is missing the octave signs – there is no ending of the sign in bar 9 and an entire one is missing in b. 14-17. There is a similar case in b. 31-33, in which the transition into a new line provoked a mistake in the form of an unfinished octave sign, which began in bar 30. Fontana noticed and corrected only the latter, yet in FC an octave sign was added in pencil also in b. 14-17, probably by the engraver of GE1 (we do not take into account that addition in the transcription of FC, since it belongs rather to GE1). In the editions all mistakes were corrected, in FE perhaps by Chopin's orders, who proofread that edition. category imprint: Interpretations within context; Differences between sources issues: GE revisions , Foreign hand additions in manuscripts , Errors of A , Authentic corrections of FE , Fontana's revisions |
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b. 13
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composition: Op. 31, Scherzo in B♭ minor
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We add cautionary flats in the main text. The addition was introduced already in GE2 (→GE3). The same applies to b. 145 and 596. category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 22
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composition: Op. 31, Scherzo in B♭ minor
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In A one can see deletions of flats (cautionary?) before the G category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Last key signature sign |
3 instead of c3. A comparison with the other sources and analogous bars proves that it is a mistake, corrected in