Pitch
|
b. 40
|
composition: Op. 31, Scherzo in B♭ minor
..
The manuscripts are missing the category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Omission of current key accidentals , FE revisions , Last key signature sign |
||||||||
|
b. 63
|
composition: Op. 31, Scherzo in B♭ minor
..
In A one can see that the last quaver was initially written as e2. category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Enharmonic corrections |
||||||||
|
b. 64
|
composition: Op. 31, Scherzo in B♭ minor
..
Initially, Chopin wrote the L.H. part in A in treble clef an octave higher. Having noticed his mistake, he added a bass clef before that figure; eventually, he wrote the correct text on the stave below. category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A |
||||||||
|
b. 66
|
composition: Op. 31, Scherzo in B♭ minor
..
The main text is a version introduced by Chopin in FC (→GE) and in the proofreading of FE (→EE). In the L.H. part in A one can see traces of numerous corrections in this bar; however, both a possible original version (like in the previous bar) and the final one were then changed by Chopin in FC and FE, respectively. According to us, the notation of A may also denote a version that we give as a possible interpretation should we assume that the restoration of c category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Corrections in A , Chopin's hesitations , Errors resulting from corrections , Authentic corrections of FE , Authentic corrections of FC |
||||||||
|
b. 77-98
|
composition: Op. 31, Scherzo in B♭ minor
..
In the main text we give the pedalling added by Chopin in FC (→GE). The same markings were added (most probably also by Chopin) also in FE (→EE); however, the pedalling as a whole in those editions is different due to the additional pedal changes in b. 83-84, 85-86, 91-92, 93-94, 99-100 & 101-102: see the note to b. 83-102. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE , Authentic corrections of FC |
before the bottom note of the 1st chord in the R.H. The patent inaccuracy was corrected both in 
1, possible interpretation of 
