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Issues : Errors in FE
b. 382-383
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composition: Op. 31, Scherzo in B♭ minor
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The missing slur for the L.H. is most probably an oversight of the engraver of FE. After all, it cannot be excluded that, looking at A, he regarded the L.H. slur as the beginning of the R.H. slur, which can be indicated by the original range of the R.H. slur in FE. category imprint: Differences between sources issues: Errors in FE |
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b. 383-386
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composition: Op. 31, Scherzo in B♭ minor
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Notation with normal font notes is a result of a misunderstanding of A by the engraver of FE (→EE). category imprint: Differences between sources issues: Errors in FE |
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b. 394
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composition: Op. 31, Scherzo in B♭ minor
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The origin of the version of FE is unclear. It may be Chopin's proofreading; it would be then the latest authentic version. On the other hand, one cannot exclude a mistake of the engraver: looking at the already finished, correctly engraved version of FE, the engraver could have mistakenly associated the dot prolonging the f category imprint: Differences between sources; Corrections & alterations issues: EE revisions , Errors in FE , Authentic corrections of FE |
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b. 395
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composition: Op. 31, Scherzo in B♭ minor
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Just like in b. 293, the fingering digit written in A was not reproduced in any of the remaining sources, perhaps due to lack of understanding of its meaning. category imprint: Differences between sources issues: Errors in FE , Errors of FC |
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b. 395-399
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composition: Op. 31, Scherzo in B♭ minor
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In the main text we give the ending of the phrase mark after A (→FC→GE1). The version of FE is erroneous and inaccurate (the phrase mark in b. 395 suggests continuation, yet in b. 396 there is no ending in a new line), which was revised in EE in the easiest way possible. The long phrase mark of GE2 (→GE3) is – just like in b. 295-297 – a result of a unifying revision. category imprint: Graphic ambiguousness; Differences between sources issues: Errors in FE , GE revisions , Uncertain slur continuation |