Issues : Deletions in A
b. 503
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composition: Op. 31, Scherzo in B♭ minor
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In A one can see a crossing-out of both the second and third crotchet in the L.H. It is difficult to decipher what was crossed out:
category imprint: Corrections & alterations; Source & stylistic information issues: Deletions in A , Accompaniment changes |
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b. 521-522
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composition: Op. 31, Scherzo in B♭ minor
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The crossings-out visible in A allow us to reconstruct the previous version of the 2nd and 4th chords: . The textural affinity with the motifs in b. 516-518 allows us to assume that it was the original version. category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A , Accompaniment changes |
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b. 524-525
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composition: Op. 31, Scherzo in B♭ minor
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The mark crossed out in A on the 2nd beat of bar 524 is most probably a crotchet rest. It means that initially the L.H. part was the same as in b. 516 (except for the enharmonic difference in the notation). category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A , Accompaniment changes |
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b. 527
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composition: Op. 31, Scherzo in B♭ minor
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In A the mark is at the end of the page, squeezed above the deleted marks. It was probably the reason for its omission in FE. The mark was added in EE at the end of the R.H. passage. category imprint: Differences between sources issues: EE revisions , Errors in FE , Deletions in A |
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b. 535
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composition: Op. 31, Scherzo in B♭ minor
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In A one can see that the 1st octave was originally written as E-e. category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A , Enharmonic corrections |