Issues : Authentic corrections of FC
b. 82
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composition: Op. 31, Scherzo in B♭ minor
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category imprint: Differences between sources issues: Authentic corrections of FC |
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b. 83-102
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composition: Op. 31, Scherzo in B♭ minor
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In the main text we give the pedalling added by Chopin in FC (→GE). In that manuscript Chopin copies one pedal encompassing two bars wherever a pair of bars is based on the same chord: b. 81-82, 83-84, 85-86, 91-92, 93-94, 97-98, 99-100 & 101-102. Another pedalling, most probably also authentic, was added in FE (→EE), in which one pedal encompassing two bars is indicated only in b. 81-82 & 97-98 (the remaining ones are provided with a whole-bar pedal). In spite of the fact that the second pedalling is almost certainly later, in the main text we give the pedalling of FC, since the corrections visible therein (deletions of markings at the end of b. 81 and 91) prove that the composer considered it to be better. Naturally, it cannot be ruled out that while adding pedalling marks in FE Chopin consciously returned to the original concept; however, according to us, it is more likely that it was a result of lack of adequate concentration, e.g. due to haste. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE , Authentic corrections of FC |
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b. 83-86
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composition: Op. 31, Scherzo in B♭ minor
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In the main text we give a pair of hairpins written by Chopin in FC. In GE the latter was arbitrarily extended so that it starts from the beginning of b. 85. category imprint: Differences between sources |
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b. 89-94
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composition: Op. 31, Scherzo in B♭ minor
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In the main text we give a hairpin added by Chopin in FC (→GE). In this phrase the manuscript bears traces of corrections performed by Chopin, who, initially, wrote three subsequent marks in b. 87-90, 91-92 & 93-94, which he then deleted. The second half of the first of those marks (written on the top stave in b. 89-90) was not deleted, yet there is no doubt that the six-bar long written below expresses the composer's later intention. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FC , Alterations in CF |
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b. 98
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composition: Op. 31, Scherzo in B♭ minor
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In the main text we give the hairpin written by Chopin in FC. The mark was overlooked in GE1 and added in GE2 (→GE3), undoubtedly on the basis of FC. category imprint: Differences between sources issues: Errors in GE , GE revisions , Authentic corrections of FC |