Shorthand & other
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b. 395
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composition: Op. 31, Scherzo in B♭ minor
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In GE2 the top voice is written in normal font notes. It is probably a mistake or perhaps an erroneous revision. GE3 restored the authentic notation using small quavers. Interestingly, normal font notation was initially also in A. However, Chopin quickly changed the concept and crossed out the R.H. part so written still before adding the L.H. part. category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Corrections in A , Errors in GE , GE revisions , Deletions in A |
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b. 400
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composition: Op. 31, Scherzo in B♭ minor
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In all editions except for GE2 the whole-bar rest was specified with the digit 1, one (FE and GE3) or both GE1 and EE). category imprint: Differences between sources issues: EE revisions , GE revisions , FE revisions |
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b. 409-411
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composition: Op. 31, Scherzo in B♭ minor
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Notation in normal font notes is a result of a misunderstanding of A by the engraver of FE (→EE). category imprint: Differences between sources issues: Errors in FE |
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b. 467
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composition: Op. 31, Scherzo in B♭ minor
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In some editions the whole-bar rest was specified with the digit 1 – above each of the staves in GE1 and EE and between the staves in GE3. category imprint: Differences between sources issues: EE revisions , GE revisions |
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b. 606-607
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composition: Op. 31, Scherzo in B♭ minor
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Just like in b. 23-24, in FE (→EE) this pair of bars was replaced with a double bar with a two-bar rest marked with the digit 2. In GE1 the bars were not combined, yet in each of them both rests were provided with the digits 1. In the main text we preserve the notation of A (→FC), restored also in GE2 (→GE3). category imprint: Differences between sources issues: GE revisions , FE revisions |
