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b. 15-16
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composition: Op. 31, Scherzo in B♭ minor category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FC |
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b. 18-22
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composition: Op. 31, Scherzo in B♭ minor
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In the main text we give the pedalling entered by Chopin into FC (→GE1). The same applies to analogous b. 150-151 and 601-602, although the difference in the placement of the pedal release mark is noteworthy. GE2 shifted the category imprint: Differences between sources issues: GE revisions , Authentic corrections of FC |
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b. 18-20
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composition: Op. 31, Scherzo in B♭ minor
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It was only the first of the three undoubtedly long accents of A that was reproduced as long in FC. In GE the marks were unified as short accents. Short accents, contrary to FE, are also given in EE. category imprint: Differences between sources issues: Long accents , EE inaccuracies , Inaccuracies in FC |
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b. 20-22
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composition: Op. 31, Scherzo in B♭ minor
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The slur in FC (→GE) was extended by Chopin; the same applies to analog. b. 152-154. The missing slur in EE must be an oversight. category imprint: Differences between sources; Corrections & alterations issues: Errors in EE , Authentic corrections of FC |
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b. 22
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composition: Op. 31, Scherzo in B♭ minor
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In A one can see deletions of flats (cautionary?) before the G category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Last key signature sign |
sign to bar 19, precisely after those analogous bars. 
1-G