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Issues : Errors in GE
b. 294-295
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composition: Op. 31, Scherzo in B♭ minor
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In the main text we give the
category imprint: Differences between sources; Corrections & alterations issues: Scope of dynamic hairpins , Errors in GE , GE revisions , Authentic corrections of FC |
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b. 294-295
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composition: Op. 31, Scherzo in B♭ minor
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The missing tie of g category imprint: Graphic ambiguousness; Differences between sources issues: Errors in FE , Inaccuracies in FE , Errors in GE , GE revisions |
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b. 295
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composition: Op. 31, Scherzo in B♭ minor
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In the main text we keep the notation of A, which is a result of Chopin's reflection: the version featuring the dotted minim is the original one, crossed out in this and the previous analogous place (b. 274). The presence of that removed version both in FC and FE (→EE) may be puzzling, yet it is probably a result of the copyist's and the engraver's inattention. The missing dot in GE could be explained in the same way. category imprint: Differences between sources; Corrections & alterations issues: Errors in FE , Corrections in A , Errors in GE , Errors of FC |
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b. 310-311
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composition: Op. 31, Scherzo in B♭ minor
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The missing tie of e2 must be mistakes of FE and GE1, corrected in EE and GE2 (→GE3) respectively. category imprint: Differences between sources issues: EE revisions , Errors in FE , Errors in GE , GE revisions |
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b. 344
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composition: Op. 31, Scherzo in B♭ minor
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The staccato mark in A, despite its smallness, is clearly prolonged (vertically). Both Fontana in FC and the engraver of FE regarded it as a wedge. GE1 and EE changed it to a dot, which can be considered acceptable, taking into account the fact that both passage E major sections feature only dots except for this place, including in analogous b. 438 & 446. GE2 (→GE3) did not include the mark, which could easily be considered an oversight if it were not for the dot in analogous b. 446, which was also left out. category imprint: Differences between sources issues: Inaccuracies in GE , Errors in GE , EE inaccuracies , Wedges |