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Issues : Authentic corrections of FC
b. 63
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composition: Op. 31, Scherzo in B♭ minor
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The poco ritenuto indication was entered into FC by Chopin. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FC |
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b. 65-76
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composition: Op. 31, Scherzo in B♭ minor
category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE , Authentic corrections of FC |
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b. 66
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composition: Op. 31, Scherzo in B♭ minor
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The main text is a version introduced by Chopin in FC (→GE) and in the proofreading of FE (→EE). In the L.H. part in A one can see traces of numerous corrections in this bar; however, both a possible original version (like in the previous bar) and the final one were then changed by Chopin in FC and FE, respectively. According to us, the notation of A may also denote a version that we give as a possible interpretation should we assume that the restoration of c category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Corrections in A , Chopin's hesitations , Errors resulting from corrections , Authentic corrections of FE , Authentic corrections of FC |
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b. 68-76
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composition: Op. 31, Scherzo in B♭ minor
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The notation of the R.H. accents in b. 68 and 76 was specified by Chopin in FC:
All accents written by Chopin are long accents, which was reproduced only in FE and GE1. The further sources – EE and GE2 (→GE3) give short accents. It was also the position of the accents that was not always reproduced in accordance with the Stichvorlagen – in GE1 the accents were placed under the stave; it was only in GE2 (→GE3) that Chopin's intention was guessed. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FC |
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b. 71-72
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composition: Op. 31, Scherzo in B♭ minor
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The category imprint: Graphic ambiguousness; Differences between sources issues: Scope of dynamic hairpins , GE revisions , Authentic corrections of FC |