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Ornaments

b. 553-555

composition: Op. 31, Scherzo in B♭ minor

Simultaneous arpeggios in A (→FCGE)

Continuous arpeggios in FE (→EE)

..

In b. 553 and 555 the continuous arpeggios in FE (→EE) must be a result of misunderstanding the notation of A, in which the wavy lines, although being close to each other, are clearly separated.

category imprint: Differences between sources

issues: Inaccuracies in FE

b. 554

composition: Op. 31, Scherzo in B♭ minor

Arpeggio signs in A (→FCGE)

No signs in FE (→EE)

..

In FE (→EE), the lack of arpeggio signs in bar 554 is undoubtedly due to an error of the engraver of FE. Similarly in bar 559.

category imprint: Differences between sources

issues: Errors in FE

b. 556

composition: Op. 31, Scherzo in B♭ minor

Arpeggio signs in A (→FEEE) & GE2 (→GE3)

No signs in FC (→GE1)

..

The missing arpeggios must be an oversight of the copyist in FC (→GE1), corrected in GE2 (→GE3).

category imprint: Differences between sources

issues: GE revisions , Errors of FC

b. 557

composition: Op. 31, Scherzo in B♭ minor

No signs in A (→FC,FE)

Continuous arpeggio in EE

Simultaneous arpeggios in GE

..

Chopin must have overlooked the arpeggio signs, which is indicated by the arpeggios in analogous b. 553, 555 and 559. The composer overlooked the signs after changing to a new page of A. The arpeggios were already added in GE and EE (in EE continuous, like before).

category imprint: Differences between sources

issues: EE revisions , GE revisions , Errors of A

b. 559

composition: Op. 31, Scherzo in B♭ minor

Arpeggio signs in A (→FCGE)

No signs in FE (→EE)

..

Just like in b. 554, the missing wavy lines in FE (→EE) must be a mistake.

category imprint: Differences between sources

issues: Errors in FE