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Issues : Inaccuracies in FE
b. 162-163
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composition: Op. 31, Scherzo in B♭ minor
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In accordance with the analysis of the Chopinesque category imprint: Differences between sources; Editorial revisions issues: Long accents , Inaccuracies in FE , Scope of dynamic hairpins , GE revisions , EE inaccuracies |
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b. 193
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composition: Op. 31, Scherzo in B♭ minor
category imprint: Differences between sources issues: Inaccuracies in FE , Scope of dynamic hairpins , EE inaccuracies |
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b. 294-295
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composition: Op. 31, Scherzo in B♭ minor
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The missing tie of g category imprint: Graphic ambiguousness; Differences between sources issues: Errors in FE , Inaccuracies in FE , Errors in GE , GE revisions |
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b. 310-333
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composition: Op. 31, Scherzo in B♭ minor
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The slurs over the motifs of the bottom voice in A are of different length: they encompass the quavers only or reach the minim in the next bar. On many occasions, it is difficult or even impossible to say conclusively which of the slurs Chopin meant. Since there is no visible reason for those actually identical motifs to have different slurs, in the main text we unify them, assuming the six-note slurs to be more frequent in A. None of the remaining sources reproduced Chopin's notation accurately; the differences in FC and FE are exclusively of an accidental nature, whereas GE1, EE and GE2 (→GE3) also introduced arbitrary changes, ordering the notation. category imprint: Graphic ambiguousness; Differences between sources; Editorial revisions issues: EE revisions , Errors in FE , Inaccuracies in GE , Inaccuracies in FE , Inaccurate slurs in A , GE revisions , Errors of FC , Inaccuracies in FC |
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b. 340-341
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composition: Op. 31, Scherzo in B♭ minor
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In the main text we suggest that the range of the category imprint: Differences between sources; Editorial revisions issues: Inaccuracies in FE , Scope of dynamic hairpins , GE revisions , EE inaccuracies |