![](/build/images/logo_left-en.png)
![](/build/images/pl-button.5cab5de0.png)
![](/build/images/pomoc-button.d3d09842.png)
![](/build/images/pomoc-button-en.5098433b.png)
Issues : Authentic corrections of FC
b. 42-43
|
composition: Op. 31, Scherzo in B♭ minor
..
In the main text we give the pedalling entered by Chopin into FC (→GE). The same applies to analog. b. 174-175. category imprint: Differences between sources issues: Authentic corrections of FC |
|||||
b. 49-58
|
composition: Op. 31, Scherzo in B♭ minor
..
In b. 49-50 and 57-58 in the main text we give the category imprint: Differences between sources issues: GE revisions , Authentic corrections of FC |
|||||
b. 53-54
|
composition: Op. 31, Scherzo in B♭ minor
..
The slur of A does not go beyond the bar line, which must be an inaccuracy – cf. similar motifs in b. 55-56, 61-62, 62-63 (L.H.) and 63-64. In the main text we give the slur extended by Chopin in FC (→GE). category imprint: Differences between sources; Corrections & alterations |
|||||
b. 54-56
|
composition: Op. 31, Scherzo in B♭ minor
..
The staccato dot, written in b. 54 in A (→FE→EE), was crossed out in FC, almost certainly by Chopin. It is demonstrated by another small correction visible in this place – dragging the slur from b. 53 to the quaver in b. 54. Taking into account the above, we do not include this dot in the main text. See also analog. b. 186-196. category imprint: Differences between sources issues: Authentic corrections of FC |
|||||
b. 60
|
composition: Op. 31, Scherzo in B♭ minor
..
According to us, the category imprint: Differences between sources issues: Authentic corrections of FC |