Issues : Omitted correction of an analogous place

b. 397

composition: Op. 31, Scherzo in B♭ minor

Dotted minim g in A (→FC) & EE

Minim g in FE & GE

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The dotted g minim is the original version, left in A (→FC) most probably by inadvertence. The version of FE is probably a mistake, while of GE and EE – revisions.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , Errors in FE , GE revisions , Omitted correction of an analogous place

b. 434

composition: Op. 31, Scherzo in B♭ minor

Inverted long accent in A

in FC (→GE1)

in FE (→EE)

in GE2 (→GE3)

Long accent, our alternative suggestion

..

The mark in A, like in analogous b. 332, is most probably a reversed long accent, and this is the version we give in the main text. All the remaining sources reproduced it inaccurately, moving it to the right and sometimes also extending it. We suggest a common long accent as an alternative version, as written by Chopin in FC in analogous b. 332. It is likely that the change was also to apply to the discussed bar: overlooking proofreading one of the analogous places is one of Chopin's typical inaccuracies.

category imprint: Differences between sources; Editorial revisions

issues: Long accents , Inaccuracies in GE , Inaccuracies in FE , Omitted correction of an analogous place , Inaccuracies in FC

b. 448-459

composition: Op. 31, Scherzo in B♭ minor

No signs in A

Pedalling in FC (→GE) & FE (→EE)

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We consider the missing pedalling in these bars to be an oversight of Chopin in A: relevant markings were added both in FC (→GE) and FE (→EE), they are also in analogous b. 346-357. Due to the discrepancies in subsequent sources, b. 452-457 are discussed separately.

category imprint: Differences between sources

issues: Authentic corrections of FE , Omitted correction of an analogous place , Authentic corrections of FC

b. 450

composition: Op. 31, Scherzo in B♭ minor

b2 in A & EE

a2 in FC (→GE) & FE

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The version of A is the original one, left by inadvertence: in an analogous situation, eight bars earlier, Chopin changed b2 to a2, and in the discussed bar he introduced an identical change in FC and FE. In the case of FE the change was introduced in the last phase of proofreading, not included in EE.

category imprint: Differences between sources; Corrections & alterations

issues: Corrections in A , Authentic corrections of FE , Omitted correction of an analogous place , Authentic corrections of FC