b. 194-196
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composition: Op. 31, Scherzo in B♭ minor
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As in b. 186 and 188, we regard the staccato dot in b. 194 as a remnant of an original version, presumably removed during the proofreading of FE (→EE). The mark was also omitted in GE2, while GE3 not only restored it but also arbitrarily added dots in b. 195-196. category imprint: Differences between sources issues: GE revisions , Authentic corrections of FE |
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b. 195
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composition: Op. 31, Scherzo in B♭ minor
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The version of EE1 repeats the mistake of FE, which was corrected in the last phase of proofreading in FE. In EE2 (→EE3) the correct text was introduced probably on the basis of comparison with analogous b. 63 and 646. category imprint: Differences between sources; Corrections & alterations issues: Errors in FE , Authentic corrections of FE , Errors repeated in EE |
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b. 197-198
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composition: Op. 31, Scherzo in B♭ minor
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A shorter hairpin seems to be simply a result of carelessness of the engraver of GE2 (→GE3). It is worth noting that a significant number of revisions was performed in that edition, cf. e.g. b. 203-204, yet in the discussed case there is no visible reason for such an intervention. category imprint: Differences between sources issues: Inaccuracies in GE , Scope of dynamic hairpins |
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b. 197-208
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composition: Op. 31, Scherzo in B♭ minor category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FC |
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b. 198
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composition: Op. 31, Scherzo in B♭ minor
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The version of A (→FE→EE) is the original one, probably left inadvertently, and changed by Chopin in FC (→GE). category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FC |