Articulation, Accents, Hairpins
b. 637-639
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composition: Op. 31, Scherzo in B♭ minor
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In both manuscripts, these bars are a literal repetition of b. 186-188 (they are not written out in full), and like there, staccato dots in b. 637 and 639 are reproduced only in GE1 and GE3. We do not include them into the main text in view of their possible deletion during the proofreading of FE (→EE). category imprint: Differences between sources issues: GE revisions , Authentic corrections of FE |
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b. 640-641
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composition: Op. 31, Scherzo in B♭ minor category imprint: Differences between sources issues: GE revisions |
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b. 644
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composition: Op. 31, Scherzo in B♭ minor
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In A nad FC, this bar is a replica of b. 193, and likewise there we regard the shorter sign as possibly inaccurate. For that reason, in the main text we give a longer hairpin, modelled on b. 185. category imprint: Differences between sources issues: Errors in GE , GE revisions |
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b. 645
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composition: Op. 31, Scherzo in B♭ minor
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As in b. 637 and 639, we consider the staccato dot over b2 a remnant of the original version, presumably removed during the proofreading of FE (→EE). However, the absence of mark in GE is most probably an oversight by the engraver. category imprint: Differences between sources issues: Errors in GE , Authentic corrections of FE |
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b. 648-649
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composition: Op. 31, Scherzo in B♭ minor
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In the manuscripts these bars are marked as repetition of b. 197-198. In spite of that, FE (→EE) reproduced the mark differently than before, inaccurately. category imprint: Differences between sources issues: Inaccuracies in FE |