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Issues : GE revisions
b. 249-250
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composition: Op. 31, Scherzo in B♭ minor
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When interpreted literally, the slur of A encompasses only the quavers. A comparison with the analogous figures proves Chopin's inaccuracy, corrected already in FE (→EE). The missing slur in FC must be an oversight of the copyist, corrected already in GE1 (→GE2→GE3). category imprint: Differences between sources issues: Inaccurate slurs in A , GE revisions , FE revisions , Errors of FC , Inaccuracies in A |
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b. 250-256
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composition: Op. 31, Scherzo in B♭ minor
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Despite significant differences in the length of the marks in b. 250, 252, 254 & 256 visible in A, we consider all of them to be accents. The mark in b. 250 in itself could be regarded as a long accent; however, in the context of two subsequent ones, we interpret it as a short accent. Due to the reasons discussed in analogous b. 118-124, in the main text we give a notation unified with four short accents; such a solution was also applied in GE2 (→GE3). The two missing marks in FC (→GE1) are most probably an oversight, while the changes introduced in EE, with differentiated accents for both hands and vertical accents, the latter being typical of that edition – a revision. category imprint: Graphic ambiguousness; Differences between sources; Editorial revisions issues: Long accents , EE revisions , Inaccuracies in GE , GE revisions |
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b. 263-264
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composition: Op. 31, Scherzo in B♭ minor
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Just like in b. 131-132, in the main text we keep the notation of the bars filled with rests, used by Chopin in A (→FC) and applied in GE2 too. The changes introduced in the remaining editions, i.e. replacing both bars with one double bar in FE (→EE) and providing the rests with digits, cannot come from Chopin. category imprint: Differences between sources issues: GE revisions , FE revisions |
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b. 268-269
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composition: Op. 31, Scherzo in B♭ minor
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The reviser of GE2 assimilated the slurring over the b. 268-269 and 288-289 with the slurring of an analogous phrase in b. 369-370. It is difficult to find a justification for that decision: the unquestionable text was changed in three places (also in b. 390-391) on the basis of the fourth, questionable one (the notation of FC in b. 369-370 actually does not suggest a combination of the slurs). Therefore, it comes as no surprise that GE3 returned to the authentic version. category imprint: Differences between sources issues: GE revisions |
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b. 271-272
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composition: Op. 31, Scherzo in B♭ minor
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The missing tie of f category imprint: Differences between sources issues: Errors in FE , Errors in GE , GE revisions |