Issues : Authentic corrections of FC
b. 237-246
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composition: Op. 31, Scherzo in B♭ minor category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FC |
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b. 239-240
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composition: Op. 31, Scherzo in B♭ minor
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In the main text we give the mark entered by Chopin into FC (→GE1). In GE2 (→GE3) the mark was extended so that it encompasses two bars (from b. 239) after the authentic mark in analogous b. 107-108. A similar situation can be found in b. 690-691. category imprint: Differences between sources; Corrections & alterations issues: Scope of dynamic hairpins , GE revisions , Authentic corrections of FC |
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b. 241-245
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composition: Op. 31, Scherzo in B♭ minor
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Chopin added five-bar crescendi both in FC (→GE; in GE1 without dashes) and the proofreading of FE (→EE), which we take into account in the main text. It is noteworthy that the additions are fully compatible unlike for the first time (b. 109-116), when they differed in the range of the indication. See also b. 246-249. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE , Authentic corrections of FC |
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b. 246-249
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composition: Op. 31, Scherzo in B♭ minor
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Chopin added in b. 246 in the proofreading of FE, thus confirming such a position of the indication: see the note to analogous b. 114-117. On the other hand, the marks written by Chopin in FC are also consistent, and in the case of in b. 249, visibly supported by a critical look at the final result of additions: Chopin crossed out the previously written there. In the main text we give the indications of FC, which are a part of a numerous set of indications encompassing the entire theme, which ends here. As an alternative solution we also suggest, next to the version of FE, adding dashes leading cresc. to in b. 249 in FC, as written by Chopin in analogous b. 109-116. The missing indication may be a mistake of GE1, whereas the version of GE2 (→GE3) was entirely repeated after FC in b. 114-117 (cf. b. 235-238). category imprint: Differences between sources; Editorial revisions; Corrections & alterations issues: Authentic corrections of FE , Authentic corrections of FC |
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b. 247-248
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composition: Op. 31, Scherzo in B♭ minor
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In the main text we give the pedalling entered by Chopin into FC (→GE). We provide justification for the suggested alternative version in the note to analogous b. 115-116. category imprint: Differences between sources; Editorial revisions issues: Authentic corrections of FC |