GE1
Main text
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
FESf - Schiffmacher copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
compare
  b. 560-579

8 longer, 6 shorter slurs in A, literal reading

8 longer, 6 shorter slurs in FC, literal reading

14 longer slurs in FE (contextual interpretation→EE, contextual interpretation)

7 longer, 7 shorter slurs in GE1

14 longer slurs in GE2 (→GE3)

The slurs encompassing the ostinato quaver figures in A are of different length: some reach the following crotchet, some do not. Statistically, it is the former that clearly prevail: 8 longer, 6-note slurs to only 4 shorter and 3 questionable ones (we interpret the questionable ones literally as short). The remaining sources do not show traces of Chopin's influence on the range of those slurs; except for minor inaccuracies, FC and GE1 reproduce the text of their Stichvorlagen, while FE (→EE) contain longer slurs only (we discuss b. 574-575 separately due to FE having overlooked the slur). In this situation, we base the main text on the above analysis of the notation of A; taking into account a high degree of structural and functional similarity of the discussed motifs, we suggest uniform, 6-note slurs in all figures.

Compare the passage in the sources »

category imprint: Graphic ambiguousness; Differences between sources; Editorial revisions

issues: Inaccuracies in GE, Inaccuracies in FE, Inaccurate slurs in A, GE revisions, EE inaccuracies, Uncertain slur continuation

notation: Slurs

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