Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor




Op. 31, Scherzo in B♭ minor
In the main text we add cautionary sharps before f2 in b. 500 and 502 and f
1 in b. 504. In b. 502 Chopin started writing a
in A, yet he quickly abandoned it and crossed out the germ of that accidental. The accidentals were gradually added in GE: in b. 500 already in GE1, while in the remaining ones – in GE2 (→GE3). The sharp in b. 500 was added also in FESf.
Compare the passage in the sources »
category imprint: Differences between sources; Editorial revisions; Source & stylistic information
issues: Annotations in teaching copies, GE revisions, Cautionary accidentals, Deletions in A, Annotations in FESf
notation: Pitch