Wherever the bass features the seventh of a dominant chord, Chopin provides it in A with a long accent (b. 495 and 503). The marks were overlooked by Fontana in FC (→GE1), whereas in FE (→EE) they were reproduced as short accents. Short accents were added in GE2 (→GE3), suspecting, correctly, inaccuracy of the notation of FC and GE1. A particular role of those notes is also emphasised by a slur combining each of them with the bass note in the next bar.
Compare the passage in the sources »
category imprint: Differences between sources
issues: Long accents, Inaccuracies in FE, GE revisions, Errors of FC
notation: Articulation, Accents, Hairpins