



Four accents under the bass octaves were not reproduced in such a form in any of the remaining sources. While GE2 (→GE3) contains all accents, they are placed above the octaves, which is a revision of the text of GE1 on the basis of a comparison with FC and unification by analogy (an accent was added in b. 551, which is absent in FC).
Compare the passage in the sources »
category imprint: Differences between sources
issues: Errors in FE, Errors in GE, GE revisions, Errors of FC
notation: Articulation, Accents, Hairpins