Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 31, Scherzo in B♭ minor
The crossings-out in A prove that Chopin initially wrote here an octave, like in analogous bars. This explains to a certain extent the two-part notation of the E-d seventh in the next bar. It could have influenced the perception of the engraver of GE1 of this place, both in terms of the ties in b. 274-275 and the top note of the L.H. part in the discussed bar. However, neither a common mistake nor, which is least likely, a revision unifying the text with the version of b. 294 can be ruled out. The correct text was restored in GE2 (→GE3).
category imprint: Differences between sources
issues: Errors in GE, GE revisions
notation: Pitch
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