Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 31, Scherzo in B♭ minor
In A there is a visible deletion of the tie of d
3 in these bars. Therefore, the starting point was a literal repetition (a fifth higher) of the beginning of this theme (b. 65-72) in b. 81-88. After the correction, in the third segment of this progression Chopin introduced a third melodic variant of its pattern. At the same time, he restored the strike in the 5th bar of the eight-bar section, in b. 69 and 77 implemented by the bottom voice of the R.H.
Compare the passage in the sources »
category imprint: Corrections & alterations; Source & stylistic information
issues: Corrections in A, Main-line changes
notation: Rhythm