



b. 490-491
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composition: Op. 31, Scherzo in B♭ minor
category imprint: Differences between sources issues: GE revisions |
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b. 490
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composition: Op. 31, Scherzo in B♭ minor
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The staccato dot at the beginning of the bar was added in GE2 (→GE3) most probably by analogy with b. 482. category imprint: Differences between sources issues: GE revisions |
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b. 492-493
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composition: Op. 31, Scherzo in B♭ minor
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In A there is a clear difference between the long accents in the R.H. and the short accent on A in b. 493. It is noticeable in FC, yet it may easily be considered insignificant, related to natural imperfection of handwriting, which explains the unification of the marks in GE. It is even more difficult to assess the marks in FE; in the entire section, which begins here, the differences between the accents, although visible, do not seem to signalise a different meaning. In the discussed bars we assume that these are long accents. category imprint: Graphic ambiguousness; Differences between sources issues: Long accents , EE revisions , Inaccuracies in GE |
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b. 492
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composition: Op. 31, Scherzo in B♭ minor
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The missing category imprint: Differences between sources issues: Errors in FE |
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b. 492
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composition: Op. 31, Scherzo in B♭ minor
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In the main text we add a cautionary category imprint: Differences between sources; Editorial revisions issues: Annotations in teaching copies , GE revisions , Cautionary accidentals , Deletions in A , Annotations in FESf |