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b. 77-80

composition: Op. 31, Scherzo in B♭ minor

No dashes in A (→FEEE) & GE1

Dashes in FC & GE2 (→GE3)

..

In the main text we indicate the range of cresc. after FC and GE2 (→GE3).

category imprint: Differences between sources

issues: Inaccuracies in GE , GE revisions , Authentic corrections of FC

b. 77

composition: Op. 31, Scherzo in B♭ minor

Long accent in A

Short accent in FC (→GE) & FE (→EE)

..

According to us, in spite of the fact that the accent in this bar is slightly shorter in A than the marks in b. 69 and 76, this difference has no significance, and the accent should be regarded as long. However, both the copyist in FC and the engraver in FE considered it a common, short accent.

category imprint: Differences between sources

issues: Long accents

b. 81

composition: Op. 31, Scherzo in B♭ minor

No marking in A (→FEEE)

in FC (→GE)

..

Chopin added  in FC (→GE).

category imprint: Differences between sources

issues: Authentic corrections of FC

b. 81-82

composition: Op. 31, Scherzo in B♭ minor

No marking in A (→FEEE)

 in FC (→GE1)

 in GE2 (→GE3)

..

In the main text we give the  mark written by Chopin in FC (→GE1). In subsequent GE the mark was arbitrarily moved and shortened.

category imprint: Differences between sources

issues: GE revisions , Authentic corrections of FC

b. 82

composition: Op. 31, Scherzo in B♭ minor

No indication in A (→FEEE)

dolce in FC (→GE)

..

The dolce indication was added in FC (→GE) by Chopin.

category imprint: Differences between sources

issues: Authentic corrections of FC