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p. 20, b. 476-495
p. 1, b. 1-32
p. 2, b. 33-58
p. 3, b. 59-89
p. 4, b. 90-122
p. 5, b. 123-144
p. 6, b. 145-162
p. 7, b. 163-193
p. 8, b. 194-221
p. 9, b. 222-239
p. 10, b. 240-260
p. 11, b. 261-279
p. 12, b. 280-315
p. 13, b. 316-342
p. 14, b. 343-360
p. 15, b. 361-375
p. 16, b. 376-391
p. 17, b. 392-409
p. 18, b. 410-449
p. 19, b. 450-475
p. 20, b. 476-495
p. 21, b. 496-520
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FE - French edition
FE1 - First French edition
FED - Dubois copy
FEFo - Forest copy
FEH - Hartmann copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE2a - Altered impression of GE2
GE3 - Second German edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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FE - French edition
FE1 - First French edition
FED - Dubois copy
FEFo - Forest copy
FEH - Hartmann copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE2a - Altered impression of GE2
GE3 - Second German edition
EE - English edition
EE1 - First English edition
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EE3 - Revised impression of EE2
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  b. 488

a​​​​​​​1 in FE (→EE,GE1GE2)

a1 in GE3

The arbitrary version of GE3 is almost certainly erroneous – such an anticipation of a chord that is to be played shortly with notes of the figuration is typical of Chopin, cf. e.g. bar 279 of this movement of the Concerto, the Etude in C Major, Op. 10 No. 1,   bar 5, the Etude in A Minor, Op. 25 No. 11, bars 8 and 10 or the Ballade in G Minor, Op. 23, bar 63. The a1 note, present in harmonically similar bar 492, does not constitute an argument for a possible wrong insertion of a ​​​​​​​ in the discussed bar, since the melodic context of the preceding figuration is different there.

Compare the passage in the sources»

category imprint: Differences between sources

issues: GE revisions

notation: Pitch

Missing markers on sources: FE1, FED, FEH, FEJ, FES, GE1, GE2, GE3, EE1, EE2, EE3, GE2a, FEFo