mUltimate Chopin

Page:

Source:

p. 4, b. 90-122

p. 1, b. 1-32

p. 2, b. 33-58

p. 3, b. 59-89

p. 4, b. 90-122

p. 5, b. 123-144

p. 6, b. 145-162

p. 7, b. 163-193

p. 8, b. 194-221

p. 9, b. 222-239

p. 10, b. 240-260

p. 11, b. 261-279

p. 12, b. 280-315

p. 13, b. 316-342

p. 14, b. 343-360

p. 15, b. 361-375

p. 16, b. 376-391

p. 17, b. 392-409

p. 18, b. 410-449

p. 19, b. 450-475

p. 20, b. 476-495

p. 21, b. 496-520

Main text

FE - French edition

FE1 - First French edition

FED - Dubois copy

FEFo - Forest copy

FEH - Hartmann copy

FEJ - Jędrzejewicz copy

FES - Stirling copy

GE - German edition

GE1 - First German edition

GE2 - Corrected impression of GE1

GE2a - Altered impression of GE2

GE3 - Second German edition

EE - English edition

EE1 - First English edition

EE2 - Corrected impression of EE1

EE3 - Revised impression of EE2

Select notes:

mark annotations

Category

Notation

Differences

No differences

FE - French edition

FE1 - First French edition

FED - Dubois copy

FEFo - Forest copy

FEH - Hartmann copy

FEJ - Jędrzejewicz copy

FES - Stirling copy

GE - German edition

GE1 - First German edition

GE2 - Corrected impression of GE1

GE2a - Altered impression of GE2

GE3 - Second German edition

EE - English edition

EE1 - First English edition

EE2 - Corrected impression of EE1

EE3 - Revised impression of EE2

Importance

Undo Clear

transcript

Prezentacja

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b. 105-107

No signs in FE (→EE,GE1→GE2)

Slurs in GE3

In GE3, slurs over the three-note motifs in the top voice of the R.H. and the L.H. were arbitrarily added in bars 105 and 107 (three subsequent semiquavers in the R.H. were provided with staccato dots).

See b. 100-103

Compare the passage in the sources»

category imprint: Differences between sources

issues: GE revisions

notation: Slurs

Missing markers on sources: FE1, FED, FEH, FEJ, FES, GE1, GE2, GE3, EE1, EE2, EE3, GE2a, FEFo

Complete ➔

Op. 11, Concerto in E minor, Mvt III