Page: 
Source: 
p. 5, b. 128-151
p. 1
p. 2, b. 1-47
p. 3, b. 48-88
p. 4, b. 89-127
p. 5, b. 128-151
p. 6, b. 152-186
p. 7, b. 187-226
p. 8, b. 227-253
p. 9, b. 254-281
p. 10, b. 282-315
p. 11, b. 316-346
p. 12, b. 347-369
p. 13, b. 370-392
p. 14, b. 393-414
p. 15, b. 415-465
p. 16, b. 466-495
p. 17, b. 496-520
p. 18
p. 19
GE1 - First German edition
Main text
FE - French edition
FE1 - First French edition
FED - Dubois copy
FEFo - Forest copy
FEH - Hartmann copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE2a - Altered impression of GE2
GE3 - Second German edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
Select notes: 
Category
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Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
FE - French edition
FE1 - First French edition
FED - Dubois copy
FEFo - Forest copy
FEH - Hartmann copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE2a - Altered impression of GE2
GE3 - Second German edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
Importance
All
Important
Main
Prezentacja
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copy link PDF GE1 - First German edition

Original in: Ewa & Jeremiusz Glensk Collection, Poznań


  b. 130-143

Long accents in FE (→GE1GE2)

Short accents in EE & GE3

In FE, the majority of the accents in bars 130-131 and analog. are long accents – 7 out of 11 (compared to 2 short and 2 ambiguous); the ratio in GE1 (→GE2) is similar. Taking into consideration the fact that the Chopinesque mark of a long accent was not considered by the engravers to be a long accent but rather a short one or a ​​​​​​​ hairpin, we regard such a representation as a proof that Chopin meant long accents in this place.

Compare the passage in the sources»

category imprint: Graphic ambiguousness; Differences between sources

issues: Long accents, EE revisions, GE revisions

notation: Articulation, Accents, Hairpins

Missing markers on sources: FE1, FED, FEH, FEJ, FES, GE1, GE2, GE3, EE1, EE2, EE3, GE2a, FEFo