mUltimate Chopin

Op. 11, Concerto in E minor, Mvt III

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b. 220

composition: Op. 11, Concerto in E minor, Mvt III

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FEH includes here two diagonal crosses – characteristic marks of Chopinesque teaching. Each time, their meaning remains in the sphere of more or less justified speculation.

category imprint: Source & stylistic information

issues: Annotations in teaching copies , Annotations in FEH

b. 297-299

composition: Op. 11, Concerto in E minor, Mvt III

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In FE (→GE1→GE2), all octaves in the L.H. in bar 297 and the first two in bar 299 are written in an abbreviated manner (top notes with 8s under them). According to us, one of those digits – the last in bar 297 – was perhaps left by mistake, which is indicated by a comparison with analogous bar 69. However, we do not suggest that version here, since the entire Tutti shows numerous minor differences between the first and second time, whereas the aforementioned quaver is provided with a  mark in bar 297, which may be considered a justification of the sound enhanced with an octave.

category imprint: Differences between sources

issues: EE revisions , GE revisions , Abbreviated octaves' notation