Issues : Annotations in teaching copies

b. 204-205

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FEH

No teaching fingering

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH

b. 204-205

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FEH

No teaching fingering

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH

b. 208-209

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FEH

No fingering in FE (→GE)

Fontana's fingering in EE

..

The fingerings of FEH and EE differ essentially. What is more, in bar 208, FEH initially contained the same fingering as in EE; however, it was then changed to a regular scheme, conveniently synchronised with the accents. 

category imprint: Differences between sources

issues: Annotations in teaching copies , EE revisions , Differences in fingering , Annotations in FEH

b. 214-215

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FEH

No fingering in FE (→GE)

Fontana's fingering in EE

..

In these bars, the fingering of FEH could have been written by Chopin, hence we include it in the main text. It is compliant with Fontana's fingering in EE.

category imprint: Differences between sources

issues: Annotations in teaching copies , EE revisions , Annotations in FEH

b. 215

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FEH

No teaching fingering

..

This way of marking the strike of adjacent white keys with the 1st finger is also to be found in other pieces by Chopin, e.g. in .

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH