Issues : Accidentals in different octaves
|
b. 390-391
|
composition: Op. 11, Concerto in E minor, Mvt III
..
FE is missing the sharps raising e3 to e category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions , Omission of current key accidentals |
|
|
b. 410
|
composition: Op. 11, Concerto in E minor, Mvt III
..
In FE, sharps before the a category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , Inaccuracies in FE |
|
|
b. 430
|
composition: Op. 11, Concerto in E minor, Mvt III
..
FE is missing the category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions |
|
|
b. 478
|
composition: Op. 11, Concerto in E minor, Mvt III
..
FE is missing accidentals in the 2nd half of the bar. The patent inaccuracy was corrected in GE1 by adding a category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , Inaccuracies in GE , Inaccuracies in FE |
|
|
b. 481
|
composition: Op. 11, Concerto in E minor, Mvt III
..
In FE, there are no accidentals in the L.H. part, which, considering d3 in the R.H., is a patent mistake. The missing naturals were added both in GE and EE. A natural before the 1st quaver was added also in FEH. category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , EE revisions , Errors in FE , Accidentals in different octaves , GE revisions , Last key signature sign , Annotations in FEH |
3. The accidentals were added in the remaining editions.
before the 2nd quaver in the L.H. The accidental was added in 
raising a2 to a
raising f
2.