Issues : Annotations in FED
b. 364
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composition: Op. 11, Concerto in E minor, Mvt III
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Single fingering digits in FED and EE complement the Chopinesque indications contained in FE (→GE,EE). category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FED |
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b. 375
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composition: Op. 11, Concerto in E minor, Mvt III
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The missing must be Chopin's oversight – in two previous bars, d notes are featured on several occasions as elements of chords and belong to the F minor key, consolidated in the discussed bar. Oversights of accidentals are very frequent in Chopin's oeuvre in such a context. The version with d3 is also supported by analogy with bar 379. Chopin added a in FED; however, it was only just in GE3 that it was added in print. category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , Errors in FE , Annotations in FED , GE revisions , Omission of current key accidentals , Last key signature sign |
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b. 380
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composition: Op. 11, Concerto in E minor, Mvt III
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Chopin would use tenuto dashes in exceptional situations only – see the Concerto in F Minor, Op. 21, 2nd mov., bar 18. category imprint: Differences between sources |
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b. 381
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composition: Op. 11, Concerto in E minor, Mvt III
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We include the fingering of FEH in the main text, written probably by Chopin and confirmed by the Chopinesque entry in FED. In EE, Fontana gives the same fingering. category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FED , Annotations in FEH |
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b. 387
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composition: Op. 11, Concerto in E minor, Mvt III
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The detailed fingering of FEH is almost certainly identical with the one Chopin meant while marking the position of the 1st finger in FED. category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FED , Annotations in FEH |