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Fingering

b. 128-129

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FEH

Fingering in FE (→GE)

Fontana's & Chopin's fingering in EE

..

Both EE and FEH completed only the Chopinesque printed fingering.

category imprint: Differences between sources

issues: Annotations in teaching copies , EE revisions , Annotations in FEH

b. 133

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FED

No teaching fingering

..

FED repeated here the Chopinesque fingering from identical bar 129. Since the entry does not provide new information, we do not give it in the main text.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED

b. 134

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FEH

No teaching fingering

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH

b. 136-137

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FEH

No fingering in FE (→GE)

Chopin's & Fontana's fingering in EE

..

Like in bars 128-129, the fingerings entered in FEH and given by Fontana in EE complement the Chopinesque printed indications.

category imprint: Differences between sources

issues: Annotations in teaching copies , EE revisions , Annotations in FEH

b. 144

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FED

Fingering written into FEH

No fingering in FE (→GE)

Fontana's fingering in EE

..

The fingering of FED represents a characteristic Chopinesque ploy, i.e. passing the 4th finger over the 5th – cf. e.g. the 1st mov. of the Concerto, bar 293 or the Etude in A Minor, Op. 10 No. 2, bars 20-22. It puts into question – although it does not exclude it entirely – the authenticity of the differing fingering of FEH and EE

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED , Differences in fingering , Annotations in FEH