Fingering
b. 128-129
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composition: Op. 11, Concerto in E minor, Mvt III
category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FEH |
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b. 133
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composition: Op. 11, Concerto in E minor, Mvt III
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FED repeated here the Chopinesque fingering from identical bar 129. Since the entry does not provide new information, we do not give it in the main text. category imprint: Differences between sources |
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b. 134
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composition: Op. 11, Concerto in E minor, Mvt III
category imprint: Differences between sources |
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b. 136-137
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composition: Op. 11, Concerto in E minor, Mvt III
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Like in bars 128-129, the fingerings entered in FEH and given by Fontana in EE complement the Chopinesque printed indications. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FEH |
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b. 144
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composition: Op. 11, Concerto in E minor, Mvt III
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The fingering of FED represents a characteristic Chopinesque ploy, i.e. passing the 4th finger over the 5th – cf. e.g. the 1st mov. of the Concerto, bar 293 or the Etude in A Minor, Op. 10 No. 2, bars 20-22. It puts into question – although it does not exclude it entirely – the authenticity of the differing fingering of FEH and EE. category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FED , Differences in fingering , Annotations in FEH |