Issues : Inaccuracies in FE
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b. 93-94
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composition: Op. 11, Concerto in E minor, Mvt III
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The pedalling in bar 93 must be erroneous – juxtaposing dominant with tonic (in this order) rings false in this texture, and it is difficult to assume that Chopin would have wanted to achieve such a result. However, it is not obvious how one could rectify that mistake. There are a few possibilities:
In the main text, we suggest the latter, which allows for elimination of mixed chords without moving the markings featured in the sources. We also recommend the 2nd suggestion, which complements the unquestionable pedalling of the analogous bars. There is a similar situation in bars 97-98. category imprint: Interpretations within context; Editorial revisions issues: Inaccuracies in FE |
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b. 96
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composition: Op. 11, Concerto in E minor, Mvt III
category imprint: Differences between sources; Editorial revisions issues: EE revisions , Inaccuracies in FE , GE revisions |
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b. 97-98
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composition: Op. 11, Concerto in E minor, Mvt III
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We give three possible clarifications of the pedalling of the sources, which we find to be erroneous in bar 97. category imprint: Interpretations within context; Editorial revisions issues: Inaccuracies in FE |
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b. 116-117
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composition: Op. 11, Concerto in E minor, Mvt III
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In FE, the missing staccato dots over the quaver in bar 116 and semiquavers in bar 117 must be considered an inaccuracy in the face of dots in the analogous places in bars 115-118. The mark in bar 116 was added in EE, while all three dots were added in GE3. category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , Inaccuracies in FE , GE revisions |
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b. 118-119
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composition: Op. 11, Concerto in E minor, Mvt III
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The missing articulation markings in the L.H. on the last three quavers of the Tutti must be considered an inaccuracy. The marks were added in EE and, partially, in GE3. category imprint: Differences between sources; Editorial revisions issues: EE revisions , Inaccuracies in FE , GE revisions |
mark in bar 93 to the middle of the bar. A sound result of such modified pedalling does not significantly deviate from the authentic one given in analogous bars 18-19 and 26-27;
