Issues : Annotations in teaching copies
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b. 477
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composition: Op. 11, Concerto in E minor, Mvt III
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In the main text, we give a fingering made of complementary teaching entries, FED and FEH. Fontana gave an identical fingering in EE. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FED , Annotations in FEH |
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b. 480
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composition: Op. 11, Concerto in E minor, Mvt III
category imprint: Differences between sources |
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b. 481
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composition: Op. 11, Concerto in E minor, Mvt III
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In FE, there are no accidentals in the L.H. part, which, considering d3 in the R.H., is a patent mistake. The missing naturals were added both in GE and EE. A natural before the 1st quaver was added also in FEH. category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , EE revisions , Errors in FE , Accidentals in different octaves , GE revisions , Last key signature sign , Annotations in FEH |
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b. 482
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composition: Op. 11, Concerto in E minor, Mvt III
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FE has a category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , EE revisions , Errors in FE , GE revisions , Annotations in FEJ |
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b. 486
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composition: Op. 11, Concerto in E minor, Mvt III
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In the L.H. part, FE has only 2 naturals: before c at the beginning of the bar and before g in the 2nd quaver. The missing naturals were added both in GE and EE. A natural before the 3rd quaver was added also in FED and FEH. category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FED , Accidentals in different octaves , GE revisions , Omission of current key accidentals , Annotations in FEH |
before the 6th quaver, which results in g
3, impossible in this harmonic context. The mistake was corrected both in