Issues : Annotations in FEH
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b. 456-457
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composition: Op. 11, Concerto in E minor, Mvt III
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The fingering written in FEH is undoubtedly the most natural and rather obvious explanation of the printed Chopinesque indication. Therefore, both the detailed fingering of almost each note in bar 456 and repetition of those indications in the next, identical figure are conspicuous. category imprint: Differences between sources |
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b. 460-461
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composition: Op. 11, Concerto in E minor, Mvt III
category imprint: Differences between sources |
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b. 472-474
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composition: Op. 11, Concerto in E minor, Mvt III
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According to us, the majority of the digits visible in FEH in bars 472-475 was not written by Chopin. Two 'ones' that could be ascribed to him are discussed in a separate note. category imprint: Differences between sources |
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b. 473-475
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composition: Op. 11, Concerto in E minor, Mvt III
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We include two 'ones' written in FEH in bars 473 and 475, perhaps by Chopin, in the main text. The remaining digits in this section, added most probably by the pupil, are discussed in a separate note. category imprint: Differences between sources |
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b. 477
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composition: Op. 11, Concerto in E minor, Mvt III
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In the main text, we give a fingering made of complementary teaching entries, FED and FEH. Fontana gave an identical fingering in EE. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FED , Annotations in FEH |
