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Fingering

b. 386

composition: Op. 11, Concerto in E minor, Mvt III

No fingering in FE (→GE)

Fontana's fingering in EE

category imprint: Differences between sources

issues: EE revisions

b. 387

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FED

Fingering written into FEH

No teaching fingering

..

The detailed fingering of FEH is almost certainly identical with the one Chopin meant while marking the position of the 1st finger in FED.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED , Annotations in FEH

b. 388

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FEH

No teaching fingering

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH

b. 441

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FED

No fingering in FE (→GE)

Fontana's fingering in EE

..

In spite of the fact that the fingerings indicated in FED and EE concern the same figure, they are independent – each of them can be completed so that it complies with each other or differently. However, it is most convenient to continue the fingering of FED copied in the 1st half of the bar with the one marked by Fontana, whereas the fingering of EE can be easily combined also with other combinations of fingers in the 1st half of the bar (e.g. 2124). 

category imprint: Differences between sources

issues: Annotations in teaching copies , EE revisions , Annotations in FED

b. 441

composition: Op. 11, Concerto in E minor, Mvt III

No fingering in FE (→GE)

Fontana's fingering in EE

category imprint: Differences between sources

issues: EE revisions