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Issues : GE revisions
b. 127
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composition: Op. 11, Concerto in E minor, Mvt III
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The compliant version of FE and all sources of the orchestral part – MFrorch and FEorch (→GEorch) – proves the mistake of GE1 (→GE2), corrected only just in GE3. category imprint: Differences between sources issues: Errors in GE , GE revisions |
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b. 128
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composition: Op. 11, Concerto in E minor, Mvt III
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According to us, a comparison with the dynamic markings in analogous bars 132, 136 and 140 points to an inaccurate placement of the category imprint: Interpretations within context; Differences between sources issues: GE revisions , Centrally placed marks |
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b. 130-143
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composition: Op. 11, Concerto in E minor, Mvt III
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In FE, the majority of the accents in bars 130-131 and analog. are long accents – 7 out of 11 (compared to 2 short and 2 ambiguous); the ratio in GE1 (→GE2) is similar. Taking into consideration the fact that the Chopinesque mark of a long accent was not considered by the engravers to be a long accent but rather a short one or a category imprint: Graphic ambiguousness; Differences between sources issues: Long accents , EE revisions , GE revisions |
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b. 132
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composition: Op. 11, Concerto in E minor, Mvt III
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A comparison with the dynamic markings in analogous bars 136 and 140 points to an inaccurate placement of the category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: Inaccuracies in FE , GE revisions , Centrally placed marks |
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b. 132-136
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composition: Op. 11, Concerto in E minor, Mvt III
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In FE, there is no category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions |