mUltimate Chopin

Op. 11, Concerto in E minor, Mvt III

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Issues : Annotations in FEH

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b. 228-229

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FEH

No teaching fingering
..

The fingering added in FEH to the printed Chopinesque indications completes them in the most natural manner.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH

b. 230-231

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FEH

No teaching fingering
..

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH

b. 231

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FEH

No teaching fingering
..

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH

b. 237-239

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FEH

No teaching fingering
..

The fingering entered in FEH in bar 237 and repeated in bar 239 bears a strong resemblance to Chopin's handwriting and is compliant with the Chopinesque fingering of similar figurations in the Etude in C Minor, Op. 10 No. 4, bar 2 and analog. or the Nocturne in D​​​​​​​ Major, Op. 27 No. 2, bar 52. Taking into account the above, we give it in the main text.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH

b. 241-242

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FEH

No teaching fingering
..

The fingering added in FEH to the printed Chopinesque indications complements and generalises them.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH