Issues : EE revisions
b. 207
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composition: Op. 11, Concerto in E minor, Mvt III
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In FE, the missing slur is most probably an oversight related to the introduction of bass clef to the notation of f. Anyway, it must be an inaccuracy, which was corrected already in GE and EE. category imprint: Differences between sources issues: EE revisions , Inaccuracies in FE , GE revisions , Uncertain slur continuation |
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b. 208-209
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composition: Op. 11, Concerto in E minor, Mvt III
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The fingerings of FEH and EE differ essentially. What is more, in bar 208, FEH initially contained the same fingering as in EE; however, it was then changed to a regular scheme, conveniently synchronised with the accents. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Differences in fingering , Annotations in FEH |
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b. 211
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composition: Op. 11, Concerto in E minor, Mvt III
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In FE (→EE1), there is no lowering d2 to d2. The accidental was added in GE and EE2 (→EE3). category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , GE revisions , Omission of current key accidentals , Last key signature sign , Errors repeated in EE |
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b. 212-213
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composition: Op. 11, Concerto in E minor, Mvt III
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The fingering of FED in bar 216 expands upon the indication from bar 212; hence, in the main text we give it together already for the first time. Similarly, the digit written in FEH in bar 213 complements the indications from bar 212. The fingerings in those copies differ in the first digit only; however, it may mark a different fingering of the entire sequence of semiquavers, since the digits in FED may be ascribed both to the left and right hand. In the former, the continuation would be the same as in FEH, while in the final part, perhaps the same as in EE. In the latter, the continuation (with the L.H.) could be completely different – – although, obviously, it is not the only possibility. Generally, comparison of the fingering of those three sources is based mainly on assumptions, since the ranges of particular indications do not overlap, or they overlap to a negligible extent. category imprint: Differences between sources; Editorial revisions issues: EE revisions , Annotations in FED , Differences in fingering , Annotations in FEH |
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b. 214-215
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composition: Op. 11, Concerto in E minor, Mvt III
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In these bars, the fingering of FEH could have been written by Chopin, hence we include it in the main text. It is compliant with Fontana's fingering in EE. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FEH |