Issues : EE revisions

b. 207

composition: Op. 11, Concerto in E minor, Mvt III

No slur in FE

Slur in GE & EE

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In FE, the missing slur is most probably an oversight related to the introduction of bass clef to the notation of f​​​​​​​. Anyway, it must be an inaccuracy, which was corrected already in GE and EE.
Distraction of the engraver of FE is proved also by the missing initial fragment of the next slur – it is only its ending in bar 208, on a new line, that was printed. 

category imprint: Differences between sources

issues: EE revisions , Inaccuracies in FE , GE revisions , Uncertain slur continuation

b. 208-209

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FEH

No fingering in FE (→GE)

Fontana's fingering in EE

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The fingerings of FEH and EE differ essentially. What is more, in bar 208, FEH initially contained the same fingering as in EE; however, it was then changed to a regular scheme, conveniently synchronised with the accents. 

category imprint: Differences between sources

issues: Annotations in teaching copies , EE revisions , Differences in fingering , Annotations in FEH

b. 211

composition: Op. 11, Concerto in E minor, Mvt III

..

In FE (→EE1), there is no  lowering d​​​​​​​2 to d2. The accidental was added in GE and EE2 (→EE3).

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Errors in FE , GE revisions , Omission of current key accidentals , Last key signature sign , Errors repeated in EE

b. 212-213

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FED (bars 212 & 216)

Fingering in FED, combination suggested by the editors

Fingering written into FEH (bars 212-213)

Fingering in FEH, combined from bars 212-213

No fingering in FE (→GE)

Fontana's fingering in EE

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The fingering of FED in bar 216 expands upon the indication from bar 212; hence, in the main text we give it together already for the first time. Similarly, the digit written in FEH in bar 213 complements the indications from bar 212. The fingerings in those copies differ in the first digit only; however, it may mark a different fingering of the entire sequence of semiquavers, since the digits in FED may be ascribed both to the left and right hand. In the former, the continuation would be the same as in FEH, while in the final part, perhaps the same as in EE. In the latter, the continuation (with the L.H.) could be completely different –  – although, obviously, it is not the only possibility. Generally, comparison of the fingering of those three sources is based mainly on assumptions, since the ranges of particular indications do not overlap, or they overlap to a negligible extent.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , Annotations in FED , Differences in fingering , Annotations in FEH

b. 214-215

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FEH

No fingering in FE (→GE)

Fontana's fingering in EE

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In these bars, the fingering of FEH could have been written by Chopin, hence we include it in the main text. It is compliant with Fontana's fingering in EE.

category imprint: Differences between sources

issues: Annotations in teaching copies , EE revisions , Annotations in FEH