Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
Op. 11, Concerto in E minor, Mvt III
In the entire Tutti (bars 296-315), GE3 added performance markings, mainly staccato dots and slurs. The range of this revision was still greater than in analogous bars 68-87:
- slurs were added in the middle voice in the R.H. in bars 296 and 298;
- staccato dots were added in the second halves of bars 296-301 (in bar 297 only in the L.H., in bars 300-301 only over the R.H.);
- slurs were added over the semiquavers in bars 299-301;
- all quavers in bars 302-304, 306 and 308 were provided with staccato dots;
- accents were added over the crotchets in bars 304, 306 and 308;
- the marks in bars 305 and 307 were shortened;
- slurs were added over the R.H. part in bars 309-311.
Moreover, staccato dots were added on the last quaver in bar 295.
category imprint: Differences between sources
issues: GE revisions
notation: Slurs
Back to noteOriginal in: Bibliothèque Nationale de France, Paris
Original in: Biblioteka Narodowa, Warsaw