Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 11, Concerto in E minor, Mvt III
The absence of staccato dots under the f
quavers certainly does not mean that their articulation changes with respect to the previous two bars. Either Chopin considered the previous four dots to be enough, considering the homogenous texture, or he or the engraver forgot about those markings. Yet another possibility is discussed in the adjacent note. In order to avoid doubts, we add dots in the main text.
Compare the passage in the sources »
category imprint: Editorial revisions
notation: Articulation, Accents, Hairpins
