Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 11, Concerto in E minor, Mvt III
] suggested by the editorsThe missing crescendo mark under the last of the three semiquaver sequences constituting the ascending progression must be considered an inaccuracy of notation, since there are no doubts that it must be performed analogously to the previous two. Due to this reason, in the main text we suggest adding a hairpin after most accurately marked bars 472-473.
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category imprint: Editorial revisions
notation: Articulation, Accents, Hairpins
