Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
Op. 11, Concerto in E minor, Mvt III
The added wedge may be considered justified – in analogous bars the respective note is always marked staccato. In spite of that, in the main text we preserve the version of FE (→GE1→GE2), since the note may be considered to be the first appearance of the top pedal note, and it cannot be excluded that Chopin imagined it being performed differently than before.
Compare the passage in the sources »
category imprint: Differences between sources
issues: EE revisions, GE revisions
notation: Articulation, Accents, Hairpins
