Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 11, Concerto in E minor, Mvt III
In the main text, we shorten the a crotchet to a quaver, in accordance with the notation of that place in analogous bar 295. The return of that fragment of the main theme seems to be written more carefully – cf. the previous note. However, a longer hold of that note does not negatively influence the sound – the bass note on the 2nd quaver of the bar is provided by cellos, whereas g
in violas may be considered the resolution of the a seventh.
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notation: Rhythm
