Page: 
Source: 
p. 4, b. 51-62
p. 1, b. 1-24
p. 2, b. 25-39
p. 3, b. 40-50
p. 4, b. 51-62
p. 5, b. 63-77
p. 6, b. 78-91
p. 7, b. 92-103
p. 8, b. 104-113
p. 9, b. 114-126
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FE - French edition
FE1 - First French edition
FED - First French edition
FEFo - Forest copy
FEH - Hartmann copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE2a - Altered impression of GE2
GE3 - Second German edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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FE - French edition
FE1 - First French edition
FED - First French edition
FEFo - Forest copy
FEH - Hartmann copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE2a - Altered impression of GE2
GE3 - Second German edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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  b. 58-59

Run to c3 in FE (→GE,EE)

Run to c4 in FEH

The notation of the variant written in FEH extending the roulade, so that it ends at the beginning of bar 59 with the cminim, does not define the number or the pitch of the notes in the extension of the roulade. We interpret it as a signal that one should use the model from its printed part. This kind of extensions of figurations can be found in a number of other Chopin's pieces – cf. e.g. the Waltz in A major, op. 42, bars 243-244. According to us, it practically guarantees the authenticity of this entry.

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category imprint: Differences between sources

issues: Annotations in teaching copies, Authentic post-publication changes and variants, Annotations in FEH

notation: Pitch

Missing markers on sources: FE1, FES, FED, FEJ, FEH, GE1, GE2, GE3, EE3, EE1, EE2, FEFo, GE2a